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Syn?sthetic Music or the Ultimate Ocular Harpsichord
Aizu-Wakamatsu City, Fukushima, Japan October 16-October 19
DOI Bookmark: http://doi.ieeecomputersociety.org/10.1109/CIT.2007.1497th IEEE International Conference on ...
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Juli? Villegas, Michael Cohen, "Syn?sthetic Music or the Ultimate Ocular Harpsichord," Computer and Information Technology, International Conference on, pp. 523-527, 7th IEEE International Conference on Computer and Information Technology (CIT 2007), 2007.
 
 
BibTex
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@article{ 10.1109/CIT.2007.149,
author = {Juli? Villegas and Michael Cohen},
title = {Syn?sthetic Music or the Ultimate Ocular Harpsichord},
journal ={Computer and Information Technology, International Conference on},
volume = {0},
year = {2007},
isbn = {0-7695-2983-6},
pages = {523-527},
doi = {http://doi.ieeecomputersociety.org/10.1109/CIT.2007.149},
publisher = {IEEE Computer Society},
address = {Los Alamitos, CA, USA},
}
 
 
RefWorks Procite/RefMan/Endnote
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TY - CONF
JO - Computer and Information Technology, International Conference on
TI - Syn?sthetic Music or the Ultimate Ocular Harpsichord
SN - 0-7695-2983-6
SP523
EP527
A1 - Juli? Villegas,
A1 - Michael Cohen,
PY - 2007
VL - 0
JA - Computer and Information Technology, International Conference on
ER -
 
Juli? Villegas, University of Aizu
Michael Cohen, University of Aizu
We address the problem of visualizing microtuned scales and chords such that each representation is unique and therefore distinguishable. Using colors to represent the dif- ferent pitches, we aim to capture aspects from the musical scale impossible to represent with numerical ratios. In- spired by the neurological phenomenon known as syn?s- thesia, we built a system to reproduce microtuned MIDI se- quences aurally and visually. This system can be related to Castel's historic idea of the `Ocular Harpsichord.'
Citation:
Juli? Villegas, Michael Cohen, "Syn?sthetic Music or the Ultimate Ocular Harpsichord," cit, pp.523-527, 7th IEEE International Conference on Computer and Information Technology (CIT 2007), 2007
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